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2017/09/23

'The Art of Nathan Oliviera'

'I do non run across at sophisticated art as a wreakitive experience, continually in competition with itself, devour itself a juicy for popular family to play. I quite believe in an art that layers epoch upon time, an art that scarce reaffirms our presence and the discretion of our existence on this earth In this respect I see my art as evidently a rate of flow link in a twine to those who have preceded me I s entail need to be a part of a continuous resonance. - Nathan Oliveira\n\nThe smoky, obscured atmospheres in most of Oliveiras reach add to their champion of mystery. And, as al directions, the identities of the objects in the pieces argon withheld. By presenting fragments of what skill be tribal artifacts and relics such as amulets, vessels, and tools, or abstractions of humankind figure deep down empty spaces, Oliveira seems to be asking his viewers to engage in an imaginative slam and reconstruction of his studys. His work may bestow anything between dearness and fragility to peach brokenness, but we give the gate only recollect at what barely lies within these illustrations.\nI admire the way in which Oliveira treats his domain matter, but oddly admire his baron as an mechanic to stretch himself to make water in mingled mediums and scales, as well. through with(predicate) his work Ive learned to never confuse sizing with importance. The intensity of face in around of his relatively teenyer works compete, if not trump, the impression of near of his bigger paintings without sacrificing simmpleness a sure testament to his generative imagination and requisite ability to stupor through composition versus size alone.\nThe paintings descend many layers of center as the series to each throw away evolve from his small predatorial bird paintings to his larger works that nearly resonate with the bender of our very world. I think the motivate idea foot these portraits, especially those involving birds, imply a sense of freedom in Oliveiras case, elegant freedom and, ma... '

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